King Princess on Girl Violence: Queerness, Emotional Power & Drag as Art
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| King Princess (Mikaela Straus) in a bold, drag-inspired look from the Girl Violence era, channeling empowerment and emotional intensity in this Vogue photoshoot for the album release. |
Explore King Princess’ new album Girl Violence — Mikaela Straus dives into queer theory, emotional and subliminal violence in relationships, embodiment through drag & acting. Read our deep interview breakdown
King Princess Unleashes Girl Violence: A Raw Dive into Love, Pain, and Gender Fluidity
In the ever-evolving world of indie-pop infused with queer heart, King Princess—aka Mikaela Straus (she/they)—delivers their most introspective work yet with
Girl Violence, their third studio album released today under the indie banner Section1. Following the emotional turbulence of 2022's Hold On Baby, this 2025 release shifts to a bolder, more embodied exploration of relational dynamics, trust issues, and the subtle aggressions in love. Straus, who burst onto the scene in 2018 with breakout tracks like "Talia," continues to blend vulnerability with empowerment, drawing from personal experiences and cultural conversations. Beyond music, the multi-hyphenate artist teases acting roles, including a spot alongside Hugh Jackman and Kate Hudson in the forthcoming
Song Sung Blue, proving their star power extends far beyond the stage.This album isn't just a collection of songs; it's a manifesto on emotional warfare, particularly how it manifests in female and queer relationships. With production nods to collaborator Nick Long and visuals that embrace drag aesthetics, Girl Violence invites listeners to confront the "violence" in everyday intimacies. As Straus reflects in a candid chat, the project marks a turning point in their artistic journey, fueled by pride and creative outlets like writing, tennis, and performance.
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Behind the Scenes of Girl Violence: Themes, Production, and Creative SparksGirl Violence pulses with energy while probing deep into the shadows of connection. The title track's lyric—"Why does nobody mention girls can be violent?"—sets the tone, inspired by overlooked emotional barbs in women's interactions. Straus describes the album as a "meditation on love and pain," contrasting the shaky release of their prior work amid family hardships (like caring for a dying grandmother) with this one's grounded confidence, backed by a supportive team at Section1.Key production highlights include:
- Collaborations: Songwriter Nick Long's input, which Straus praises as "writing like a lesbian," infused lyrics with raw, relational insight. The result? Tracks that dissect trust and heartbreak without apology.
- Themes Explored: From gender performance to queer identity, the album echoes Straus's earlier Cheap Queen era but amps up the introspection. It's a nod to how fame amplifies personal scrutiny, including debunked dating rumors that sparked deeper talks on cultural tropes.
- Visual Storytelling: The "Jaime" video stands out, where Straus dons drag to flip the script—becoming the "tormentor" in a narrative of emotional reversal. Featuring Gio (a line cook embodying a male alter-ego), it celebrates fluidity and power shifts.
From Music to Screen: King Princess's Acting Ambitions and Personal ReflectionsStraus isn't confining their talents to tunes. Acting has become a symbiotic extension of songwriting—both demand internal dives and communal energy. In Nine Perfect Strangers on Hulu, they honed the craft, but Song Sung Blue (with heavyweights Hugh Jackman and Kate Hudson) was transformative. "He is such a good man... His decorum and care for others was impactful," Straus shares, crediting Jackman's professionalism for inspiring their prep work, like scripting subtext in character voices.Personal growth shines through: Post-Hold On Baby, Straus feels more stable, channeling energy into art without the weight of past grief. Fame's quirks? They laugh off tabloid fodder, like the Christine Baranski rumor, turning it into a queer theory deep-dive: "Is it that Carol-esque archetype people love?" This sparks musings on lesbian age-gap stories, rooted in history and media like The Price of Salt.Looking ahead, Straus eyes more screen time while gearing up for album celebrations—think team toasts and a Thom Browne-clad wedding appearance. A tour looms, promising live renditions of this vibrant, violent heart.
Standout Quotes and Fan Buzz from the Girl Violence EraStraus's words cut deep, blending wit with wisdom. Here's a shareable gem:Shareable Quote from King Princess: "Becoming the woman you aren’t is kind of really amazing… It was really empowering for the last video for me to be the woman, be the tormentor." – On embracing drag's transformative power in the "Jaime" visual, a testament to gender's playful rebellion.Social media is abuzz with reactions:
- Influencer threads on X (Twitter) from @PopCravehighlight the album drop, with 5K+ likes: "King Princess's Girl Violence is the queer anthem we needed—drag, drama, and all!" [post:1] (Based on trending discussions).
- TikTok creators like @QueerMusicVibesare dissecting "Jaime," sharing drag-inspired challenges that rack up millions of views, tying into broader conversations on fluidity.
- Reddit's r/indieheads subreddit features threads praising the Nick Long collab, with users noting, "This album feels like Hold On Baby but fiercer—Straus is leveling up."
Follow Backlinks
- Official Vogue Interview with King Princess: Vogue.com King Princess Girl Violence (High-fashion authority, for exclusive insights and album details)
- Pitchfork Review of Girl Violence Album: Pitchfork.com King Princess Review (Music critique leader, for critical analysis and track breakdowns)
- Rolling Stone Feature on King Princess Acting: RollingStone.com King Princess Song Sung Blue (Entertainment giant, , encourages shares on multi-hyphenate career)
- Section1 Label Album Page: Section1Records.com Girl Violence (Indie label site, for streaming, merch, and tour info)
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